[solo] the solo life diaries.

there’s a trend on youtube where youtubers post videos in series titled “living alone diaries” or some variation thereof, where they post about their daily lives living alone in some metropolitan area. in my corner of the algorithm, they are often young women (in their twenties, maybe early thirties), either full-time content creators or software engineers or in some part of tech, and i think the vlogs are meant to be relatable and/or comforting and/or inspiring.

i don’t know what i feel about them. i mostly kind of just feel old and a little duped; many of these people living alone still have partners.

i’m turning forty at the end of this year, and, while i didn’t feel much about turning thirty, i feel like shit thinking about turning forty. for most of my life, i honestly thought i’d be dead by suicide by thirty, so this whole past decade feels like it was borrowed time — and it feels exhausting and lowkey disheartening to think about, that i am still here in this middling existence a whole extra ten years later. add to that that i still don’t have a career, don’t have a partner, don’t have a family, and, while i know in my head that none of this says much about me as a human, i don’t really believe that — i haven’t met any of the major milestones that we think of in adulthood, in life, and i feel like shit because of it.

it doesn’t help that i am back in law school at this age, that i am at least a decade older than probably 75% of my class, that i will be taking the bar at the ripe age of forty-one. i don’t feel like my brain is slower because of my age, though, and there are definitely advantages to being older — school isn’t my life, and i have professional experience under my belt. i know my age also works against me in ways; i really want to intern and work in korea; and koreans are even weirder about aging women (and, just, aging humans) than americans can be.

the thing, though, is that i am at a very different point in life than pretty much everyone i know who’s around my age. all my friends are either married or partnered. they’re settled in their careers. they can plan for international trips and go out for nice dinners and do things, and they have someone in their lives with whom to plan a future together, to hope for things together, to watch TV shows together, plan trips together, run errands together.

they have someone to go home to.

i realized last year that i basically shut down any advice or commentary about loneliness or singleness from anyone who has a partner or spouse, and that might be a character flaw and/or narrow-minded stubbornness on my part, but it’s unfortunately one i just don’t foresee changing any time soon. my relationship with my loneliness and solitude has shifted over the last twenty-some years, and i’ve learned how to be alone, not because i’ve ever enjoyed my loneliness but because i have refused to let my aloneness stop me from doing things i want to do, whether it’s a movie i want to see, a restaurant i want to try, a country i want to backpack through. in many ways, i am very good at being alone, solving problems alone, killing bugs alone, and there are parts of my singleness i do relish — i don’t need to think about another’s wants or quirks when traveling, and i can plan to move to korea once i’ve graduated from law school and taken the bar because i don’t have someone else’s opinions to weigh. i don’t need to be anywhere i don’t want to be.

there’s the flip side to that, though, namely my inability to lay down roots. i don’t know how to be in one place, to want to be in one place, because being in one place reminds me that i am alone. as much as i love being amongst friends in new york, staying in that city for too long reminds me that everyone has someone to go home to but i do not. they have a reason to stay in that city, to call it home, while i can leave at any point because i have no one to hold me there — i have no one in new york or anywhere to call me home, except maybe goms.

2024 was a year of many transitions, but it was a year marked by solitude and loneliness. the beginning of august to mid-october felt impossibly difficult and alone as i had to transition from working full-time to being a student full-time, from hopping between two cities to being in one, and it sucked. it marked a significant break in my regard for new york city as home, as well as a shift in how i thought about friendships — which is not the same as how i view my friends, who are amazing people. it isn’t their fault i’m single or that there are circumstances that perpetuate the singleness or that i made shitty decisions as a young adult and am in the position professionally i am now, just like it is good that they have their own people and lives and, even, problems.

what i mean, really, is that i had become very emotionally dependent on friendships over the last few years and that 2024 showed me that maybe i need to do that less, that it isn’t fair for me to put so much of a burden on other people, that, in the end, it would be wiser for me to learn to be okay with being alone again.

i think a lot about a scene in the drama 사이코지만 괜찮아 (it’s okay to not be okay). ko munyoung (seo yeji) grew up isolated and lonely because of her mother, and, as an adult, she finds a family for herself with the moon brothers (sangtae, played by oh jung-se, gangtae, played by kim soohyun). they grow close, munyoung and sangtae bickering and fighting like siblings, gangtae, their patient and indulgent younger brother (and munyoung’s love interest), and, after they’ve settled into their camaraderie, they learn that munyoung’s mother murdered the their mother.

consumed by guilt, munyoung tries to retreat back into her shell and tries to push them away. she’s been alone before. she can go back to being alone.

gangtae patiently tells her that, no, she won’t be able to do that. she’s learned what it’s like to have a full belly.

it’s okay to not be okay is one of the few dramas that i love on a deep, personal level because it resonated so strongly with me. munyoung’s loneliness, in particular, the way she was isolated and socially stunted as a young person, the prickly, loud exterior she shows the world, the need she has buried as deep within herself as she could out of self-protection, the relief she feels at finding people who feel like her own, and the terror and pain of potentially losing that — i understand that.

i think i have long been afraid that gangtae’s words are true — and, yes, to a degree, they are. solitude is hard when you’ve tasted social warmth. it might be harder had i maybe dated someone, so, at least, there is that. 2024, though, i guess, at least showed me that i’m not going back to the extreme of the solitariness that marked my twenties, when i would often go days without physically talking to someone. there are good people in my life who are in my life, but it would serve me to learn to be okay with the silences that remain, with going home to a dark, empty apartment, with not being in one place long enough to be reminded of what i am missing. it is, after all, not the burden of the people in my life to make me feel less alone.

i go back to new york city this weekend after a month in los angeles. i already don’t want to be there, and i already miss my dog, and the only thing that takes the edge off this is knowing i’ll be back in LA in a month — then again in march, april, and may. i plan to apply only for summer internships in LA or seoul. i’m trying not to think about the age thing, but it weighs on me, my failures, my middling existence — and maybe that’s why i sit here typing out these words even while i ask myself why i’m writing all this shit down. this is the only thing i know to do with my loneliness, to write it out, to throw it out into the void and hope that someone sees it and sees themselves and feels a little less alone. it is difficult and painful to be a solo human in the world, to do more than just live alone, and i’m not going to sit here and lie and say that it’s all worth it because i find living exhausting, but i don’t know — i guess if there is something this dumb life has taught me, it’s that i am not unique, so what i feel and how i struggle are also not unique to me, so here’s a bat signal that maybe calls out to someone, hey, you, too? because, yeah, me, too.

this little life.

a few snaps from my plastic half-frame camera using a roll of kodak 400 film — i still don’t know if i’m using the right terms, but, maybe, one day, i’ll learn. i’ve very much been enjoying this plastic camera; i like how i can’t really overthink it or control much of anything — i see something i want to photograph, wind my wheel, look through the viewfinder and hope for the best.

which isn’t to say there’s absolutely nothing to think about. i do think about having adequate light; i try to frame things as best as i can; and i think about lines. sometimes, i’ll take multiple shots with slight differences just in case. for the most part, though, shooting on this plastic camera is very simple — look and shoot.

literally, point and shoot.

disconnections, dysregulations.

two or so weeks ago, after orientation, i went to gentle monster in soho and impulsively bought a pair of glasses.

i’ve had terrible vision (and astigmatism) my whole life, and i avoided glasses because my vision was so bad, the lenses were too thick, even when compressed, and made for heavy glasses. instead, i wore contacts for two-ish decades, putting them in once i woke up and taking them out right before i went to sleep, and it was one of my very inconsequential woes in life that i couldn’t wear cute glasses — until i got corrective eye surgery in 2020. now, i can wear glasses as an accessory, which i think i’ve earned after decades of terrible vision.

that is, however, not why i spent a stupid amount of money on a pair of glasses that friday. one of my ongoing emotional struggles this year is that i’ve been incredibly mad/sad (almost to an extreme) that i won’t be able to go back to korea this year, while almost everyone i know has taken (or will take) at least one international trip, and i wanted to feel a little better about it, if only in that moment of purchase. otherwise, i would absolutely never buy gentle monster at its U.S. price.

sometimes, i sit in my feelings and find the extremity of them amusing. i’m aware that i tend to Feel Too Much, and i learned a few years ago that that is a symptom of ADD, part of the dysregulation in our brains that means that something a normal brain might quickly process and move on from overwhelms us. that’s a very simplistic way to put it, but, generally, i expend a fair amount of effort everyday trying not to get lost in Too Much. some days are much easier than others, and, on others, thankfully less often than the easier days, i get lost in the feeling of the moment, whatever it is.

this year, one of my big feelings has been about not being able to go back to korea. i couldn’t make it work financially in the first half of the year, and school means that i can’t go in the fall. it would be the wiser financial decision for me not to go over the holidays, even though i technically do have the funds and would have enough time over the holiday break to be in LA for christmas and spend three weeks in korea. this is silly, yes, and not life-or-death, and i’ll be fine, but i still have big feelings about this.

a big part of this is simply burnout. i spent 2023 working my full-time job while writing my book, and, in the latter half, i added on studying [lightly] for the LSAT and applying to law school. the bulk of 2024 was dedicated to revising my book with my editor, and, as work on this book has been winding down as she moved into the production phase, i’ve been working on book two and a cookbook proposal. i haven’t had time off since i was last in korea in april 2023 — any PTO i took for work was to write, and i only took two days off between stopping work and starting school — so i am phenomenally burned out.

i guess i could not write, and, trust me, i’ve tried — half of my impulse decision to take the LSAT in 2023 was that i was majorly depressed and needed to do something to stop me from spiraling, but the other half was that i was so discouraged by a full year of having all my pitches rejected that i wanted to quit writing but knew my brain would need something else to do. this juggling is unfortunately just a common reality of writing, and i’m not unique in struggling with constant exhaustion — i dare say the vast majority of us write in the spaces between the job that pays our bills and provides us health insurance, our families and social lives, potential chronic illnesses, and any other responsibilities we have. we don’t have the finances, bandwidth, or, frankly, time to write full-time, go to residencies, and live that fantasy writer’s life, so i don’t say this to complain. there are deep systemic and cultural issues behind why it’s so impossible to make a living as a writer, but i know i chose this. i continue to choose this every time i work on book two and proposal. i choose this because writing is still important to me.

that doesn’t mean i can’t burn out, though. it just means that i will own that i have a part in it.



similarly, i know my emotions around korea are irrational, and i will own that, but the thing is that my feelings around korea will always be complicated, given that i have sought the approval and acceptance of koreans for most of my life but have constantly felt rejected by them. one effect of that is that i have long been incredibly jealous of friends who have some kind of connection to korea, who grew up traveling there, who have a sense of belonging there, not just emotionally but physically via family or friends or familiarity with korea as a country. i envy people who have favorite cafes and restaurants and neighborhoods, who can situate themselves in seoul or busan or wherever, who can have opinions about the country because they know it. it is a place that is real and tangible to them, not an idea or a place that exists only in their imagination from a distance.

once school settles down and book edits are completed, i plan to sit down and create a zine around my 2023 korea trip. i was so anxious in the lead-up to that trip because my trip in 2012 was a total disaster, and i didn’t know if i could actually make it through the month i planned to be there last spring. i honestly didn’t expect to fall in love with the country, to feel as comfortable as i did as i took a long road trip, to be able to connect my want with the possibility to have, which was really the most significant thing that came out of my time there. much like i’ve created lines between me and writing to protect myself against disappointment, i had also built up mental and emotional barriers out of fear that korea in 2023 would leave me feeling the same acute pain as i had in 2012, the same hollowness of deeply wanting to lay claim to this country but never being able to pursue that because of koreans’ rejection of me.

sometimes, i think life is just a constant cycle of navigating disappointment after disappointment and reconciling yourself to the life you have instead of the one you had hoped for, had dreamed of when you were younger. maybe that’s just me, and maybe that sounds overly cynical, but the problem is that now my feelings toward korea have the added complication of realizing that i could have a place in this world, that, sure, koreans might still not like me necessarily but i could still have a place amongst them — if i could get myself there. i can lay claim to the culture that is mine, that i love and am fiercely proud of, but, now, i simply don’t have the opportunity to be there, to see if i could maybe plant some seeds of a community there, to try to build the kind of physical connection i envy so many of my korean friends.

and, so, yes, i am often irrationally mad/sad that i can’t go to korea this year, and i am the one who will mute friends on social media when they’re in korea because of the colossal effort it takes to regulate my emotions, and i think it’s a waste of time for me to put myself through that effort when it’s smarter and more efficient just to set a boundary of not looking. i know that this is something pretty inconsequential in the grand scheme of things, like i know that, yes, i will eventually go back to korea, whether it’s next year or after i graduate and take the bar. the thing that i still fixate on, though, is … dude, how do people even afford to take multiple international trips in a year?!? where is that money coming from?!?